Photograph of The Nuclear Family by Wilma Needham
- MS-3-35, Box 18, Folder 1, Item 26
- Item
- 1984
Part of Eyelevel Gallery fonds
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Photograph of The Nuclear Family by Wilma Needham
Part of Eyelevel Gallery fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of The Scientific Research Bureau of Canada exhibition by John Watt
Part of Centre for Art Tapes fonds
Photograph of three people watching televisions in the gallery at the Centre for Art Tapes
Part of Centre for Art Tapes fonds
Photograph of three people watching televisions in the gallery at the Centre for Art Tapes
Part of Centre for Art Tapes fonds
Photograph of two people viewing works on display at the Dreams Come True Art Auction
Part of Eyelevel Gallery fonds
Photograph of two people viewing works on display at the Dreams Come True Art Auction
Part of Eyelevel Gallery fonds
Photograph of works by Garry Neill Kennedy on display at the Dreams Come True Art Auction
Part of Eyelevel Gallery fonds
Photographic negatives of Henry Orenstein's Sudbury industrial landscape mural
Part of Joan and Henry Orenstein fonds
Photographic slides from exhibitions
Part of Eyelevel Gallery fonds
Photographic slides of Henry Orenstein's art work
Part of Joan and Henry Orenstein fonds
Photographic still from video Pie Y Café by Jan Peacock
Part of Centre for Art Tapes fonds
Photographs from Getting a Handle On It, an installation by Garry Conway
Part of Centre for Art Tapes fonds
Photographs from Nova Scotia Coalition on Federal Culture
Part of Centre for Art Tapes fonds
Photographs from Tutorial No. 1, an installation by Ian Murray
Part of Centre for Art Tapes fonds
Photographs of 20th Century Student
Part of Dalhousie Art Gallery fonds
Photographs of an exhibition on abortion
Part of Centre for Art Tapes fonds
Photographs of exhibitions held between 1980 and 1986
Part of Eyelevel Gallery fonds
Photographs of Henry Orenstein in middle age
Part of Joan and Henry Orenstein fonds
Photographs of Henry Orenstein's art work
Part of Joan and Henry Orenstein fonds
Photographs of installation by Noel Harding
Part of Centre for Art Tapes fonds
Photographs of installation The Glass Bead Game
Part of Centre for Art Tapes fonds
Photographs of television installation shot in cubicle by Ian Murray
Part of Centre for Art Tapes fonds
Photographs of the Centre for Art Tapes
Part of Centre for Art Tapes fonds
Photographs of Tom Sherman and John Orentlicher
Part of Centre for Art Tapes fonds
Photographs of Tutelage, a work in progress by Ian Murray
Part of Centre for Art Tapes fonds
Photographs of Video Tapes and Diagrams exhibition by Dan Graham
Part of Centre for Art Tapes fonds
Photographs, invitations, and other material related to Eyelevel Gallery artists and programming
Part of Eyelevel Gallery fonds
Poster for 1984 Audio By Artists Festival
Part of Eyelevel Gallery fonds
Poster for A performance about Abortion by Marusia Bociurkiw
Part of Centre for Art Tapes fonds
Poster for David MacKenzie's Quick Change exhibition
Part of Eyelevel Gallery fonds
Poster for the fourth Audio by Artists Festival
Part of Eyelevel Gallery fonds
Recommendations to the board of directors
Part of Eyelevel Gallery fonds
Report to the members of Eye Level Gallery
Part of Eyelevel Gallery fonds
Resignation letter from Julia Schmitt Healy
Part of Eyelevel Gallery fonds
Resignation letter of Julia Schmitt Healy
Part of Eyelevel Gallery fonds
Resignation letters from Sue Beaver and Ron Shuebrook
Part of Eyelevel Gallery fonds
Item is a resignation letter from Sue Beaver from the Co-ordinator position and Ron Shuebrook from the Board of Directors and General Membership at Eye Level Gallery. Sue writes eight reasons for her resignation from the Co-ordinator position on January 15, 1976, which includes a lack of respect, unrealistic attitudes regarding money, lack of firm definitions and policies and practices which she regards as immoral and unethical. Ron writes in his letter from January 21, 1976 that there are many reasons for his resignation, which includes a lack of professionalism, a financial crisis of the gallery which was a result of unprofessional behaviour, and his move to Canning, Nova Scotia which left him feeling disconnected from the gallery.
Also included in the item is a letter to members of the Eye Level Gallery stating an urgent matter has come up and a meeting needed to happen on January 15, 1976 at Eye Level by Michael Fernandes and Sue Beaver. A letter addressed to Sue Beaver from Brenda Wallace, the Visual Arts Officer for the Program of Assistance to Art Galleries and Museums states her acceptance of Beaver's resignation from the Eye Level Gallery.