File contains set designs for Neptune Theatre's production of "The Mystery if the Oak Island Treasure," directed by Bob Paisly and designed by Andrew Murray and S.J. Degenstein. The file includes their original drawings and annotated copies.
File contains two copies of a poster for a concert by the Halifax Camerata Singers in collaboration with Clary Croft, which took place at the Maritime Museum of the Atlantic in Halifax, Nova Scotia.
File contains the set and lighting designs for Neptune Theatre's production of "The Real Thing," directed by Linda Moore and designed by Brian Perchaluk (set) and Brian Pincott (lights).
File contains original set and light designs for Neptune Theatre's production of "The Search for Signs of Intelligent Life in the Universe," directed by Miles Potter and designed by Warren Carrie, assisted by Ian Rye. The file includes drawings for Neptune Theatre and for The Belfry Theatre (Victoria, British Columbia).
File contains set designs for Neptune Theatre's production of "The Stone Angel," directed by James Roy and designed by Brian Perchaluk. The file includes Perchaluk's original drawings, annotated copies of pages 1 and 2, and a copy of the light design plot by John Munro.
File contains a brochure created in 1920 by the Dalhousie Campaign Committee. The brochure presents architect Andrew Cobb's campus master plan known as the "vision of Dalhousie." The brochure presents the original Dalhousie College building on Grand Parade as the "First Dalhousie" and the newly constructed Forrest Building as the "Second Dalhousie."
File contains set designs for Neptune Theatre's production of "The Winslow Boy," directed by Linda Moore and designed by Nigel Scott. The file includes Scott's original drawings and a copy of the lighting plot, also by Scott.
File contains two copies of a poster for a concert by the Halifax Camerata Singers, which took place at the First Baptist Church in Halifax, Nova Scotia.
File contains the original set designs for Neptune Theatre's production of "Tonight at 8:30" directed by John Neville with designs by Robert Doyle for "Still Life" and "Hands Across the Sea".
File contains set designs for Neptune Theatre's production of "Twelfth Night," directed by Tom Kerr with designs by S.J. Degenstein. The file includes Degenstein's original drawings and two annotated copies of the lighting design.
File contains correspondence with M.J. Anstee (Department of Technical Co-operation for Development) and K. Mushakoji (UN University - with "The United Nations University's Next Stage: Statement before the Sixteenth Session of the Council of the UN University on 1 December 1980"). File also includes handwritten notes by Elisabeth Mann Borgese for a United Nations Industrial Development Organization (UNIDO) talk (on the new industrial revolution and the oceans).
File contains correspondence with the University of Rhode Island, a USSR publishing house (regarding the Russian version of "The Drama of the Oceans"), and Henry Usborne. Also includes the introduction to "The Drama of the Oceans" for the Russian translation.
File includes correspondence with the Treasury Board, the United Nations Conference on Trade and Development (on a shipping seminar), and Finance Minister Michael Wilson (with Robert R. de Cotret).
File contains correspondence with: Anton Vratusa of the ICPE (International Center for Public Enterprise in Developing Countries) on adovating for ratification of the United Nations Convention on the Law of the Sea (UNCLoS); Lojze Peterle (Slovenian Deputy Minister and Minister of Foreign Affairs, letter contains an appeal from Mann Borgese on why UNCLoS is important to Slovenia); Mark Wood (a journalist at "The Malta Independent"); Layachi Yaker (mainly on the Secreatary General Consultations, the boat paper, and the non-paper); and Günther Zade of the World Maritime University (the International Ocean Institute held a training programme with them in 1992).
File contains correspondence with Jon Von Dyke, Zoran Vidaković, and J.H. Vandermeulin (of the Ministry of Fisheries and Oceans, Canada). Topics of discussion include a Third World training program, a publication of a book on the work of Jovan Djordjević, for which Elisabeth Mann Borgese contributed an essay, and a conference at the East-West Center. Also contains a list of contacts beginning with "V." See also MS-2-744, Box 285, Folder 10 for additional correspondence with Jon Van Dyke.
File contains a poster for an all-night vigil for Vespers held at St. Mary's Cathedral Basilica in Halifax, Nova Scotia by the Halifax Camerata Singers.
File contains original and annotated copies of set and prop designs for Neptune Theatre's lunchtime production of "Village Wooing," directed by D. Schurman and designed by L. Preston.
File contains a poster for a benefit concert by the Halifax Camerata Singers in collaboration with Camerata Xara Young Women's Choir at the Cathedral Church of All Saints in Halifax, Nova Scotia.
File contains a poster for a concert by the Halifax Camerata Singers in collaboration with Camerata Xara, a young women's choir, at Saint Patrick's Church in Halifax, Nova Scotia.
File contains correspondence with Gil Winham, Canadian External Affairs, and the Delegation of Suriname to United Nations Convention on the Law of the Sea (UNCLoS) III. File also includes a project proposal for "Science and Technology for Development and Disarmament," by Elisabeth Mann Borgese, and a report from the twenty-third United Nations General Assembly.
File contains three copies of a poster for a concert by the Halifax Camerata Singers in collaboration with Xara Young Women's Choir, Nova Voce, and Halifax Girls Honour Choir. The concert took place at St. Patrick's Church in Halifax, Nova Scotia.
File contains two copies of a poster for a concert by the Halifax Camerata Singers for Remembrance Day at the Presbyterian Church of St. David in Halifax, Nova Scotia.
File contains set designs for Neptune Theatre's production of "Welcome to the Planet," designed by S.. Degenstein. The file includes Degenstein's original drawings and annotated copies.
File contains set designs for Neptune Theatre's productions of "West Side Story" and "Romeo and Juliet," directed by Tom Kerr and S. MacDonald with designs by Robert Doyle. The file includes Doyle's original drawings and annotated copies of sheets 1 and 5.
File contains set designs for Neptune Theatre's production of "Who's Afraid of Virginia Woolf," directed by Robin Phillips and designed by Sue LePage. The file includes LePage's original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of the "Wizard of Oz," directed by Ron Ulrich with designs by Art Penson. The file includes Penson's original drawings and annotated copies. File also includes two copied sheets of set designs for "Special Occasions," another Neptune Theatre production directed by Ulrich and designed by Penson (see MS-3-1, OS Folder 156).
File contains 2 pages of blackline prints of working designs for a display unit and book cases for the planned Kipling Room in the Killam Library. The drawings include elevations and section details, are stamped "preliminary," numbered S-8 and S-8, and dated 31 March 1969. The Kipling Room ended up remaining in the O.E. Smith wing of the Macdonald Library; it is possible that these furniture plans were used instead for the Morse Room, which was located behind the MacMechan Auditorium.
File contains 11 pages of blueline prints of hand-drawn working designs for Killam Library furnishings, labelled F-100 though F-110, which include initial and revised plans (elevations and section drawings) for: cataloguer and bibliographer's work units; card catalogue units; consultation tables; newspaper storage units; display cases; atlas stands; file tubs; and dictionary stands. Annotations with dates include revisions based on requests by librarians.
File contains set and light designs for Neptune Theatre's production of "Yankee Notions," directed by James Roy and designed by Pat Flood (set) and Brian Pincott (lights).
File contains original set designs and a copy of the light plot design for Neptune Theatre's studio production of "Young Triffie's Been Made Away With," directed by Mary Walsh and designed by Stephen Osler (set) and Michael Fuller (lights).