Nature of the beast / Paul Cram
- MS-5-21, Box 15, Folder 6
- Item
- 1989
Part of Paul Cram fonds
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Nature of the beast / Paul Cram
Part of Paul Cram fonds
Neither fire nor place : [score]
Part of Upstream Music Association fonds
Frith, Fred
Part of Upstream Music Association fonds
Naylor, Steve
Nova Scotia Mass Choir : [musical scores and lyrics]
Part of Joy O'Brien fonds
File contains vocal scores and lyrics to songs performed by the Nova Scotia Mass Choir.
Titles include "By and By, Lord," "Come Unto Me," "Go Tell It On The Mountain," and others.
Nova Scotia Mass Choir : [musical scores and lyrics]
Part of Joy O'Brien fonds
File contains vocal scores and lyrics to songs performed by the Nova Scotia Mass Choir.
Titles include "The Lord is my Shepherd," "Nobody Knows the Trouble I've Seen," "Save the Children," and others.
Part of Paul Cram fonds
Part of Paul Cram fonds
One heart broken into song : [parts]
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Part of Paul Cram fonds
Requiem for solo voices and chorus
Part of John Daniel Logan fonds
Verdi, Giuseppe
Research and program notes for composers G to L
Part of Anthony Pugh fonds
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to the following composers: Giovanni Gabrieli, Francesco Geminiani, George Gershwin, Alexander Glazounov, Christoph Willibald Gluck, Mikhail Glinka, Edvard Grieg, Johan Halvorsen, George Frideric Handel, Franz Joseph Haydn, Paul Hindemith, Josef Holbrooke, Arthur Honnegger, Johann Nepomuk Hummel, Gustav Holst, Charles Ives, Dmitry Kabalevsky, Aram Khachaturian, Zoltan Kodaly, Édouard Lalo, Witold Lutoslawski, and Fritz Kreisler. As part of his research, Pugh analyzed music scores, and the annotated scores for Zoltan Kodaly's Cello Sonata, Op. 8 and Charles Ives' "The Unanswered Question," are included in the file.
The file also includes two programs for which Pugh wrote program notes: a concert presented by University of New Brunswick and Saint Thomas University Creative Arts society, "I Musici de Montreal" with Yuli Turovsky, conductor and cellist; and a Creative Arts concert by the resident musicians of UNB (January 29, 1989). Two other programs from concerts by the Liverpool Philharmonic Society are included as they were part of his research. The file also includes a letter to Anthony Pugh from "Don" (dated August 25, 1957 from Keele, England), which includes information on Hindemith.
Rest Christian calmly : [choral score]
Part of John Daniel Logan fonds
Riffs a la rondo : [for piano]
Part of Upstream Music Association fonds
Palmer, Chris
Ronald St. John Macdonald fonds
Macdonald, Ronald St. John, 1928-2006
Ronald St. John Macdonald’s memorabilia
Part of Ronald St. John Macdonald fonds
Ronald St. John Macdonald’s personal records
Part of Ronald St. John Macdonald fonds
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Scores catalogued by the Canadian Music Centre (CMC)
Part of Paul Cram fonds
Scores for Paul Cram's "Down to Earth" and "Hammer and Tongs"
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Bauer, Bob
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Naylor, Steve
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Moore, Sandy
Spectacles : [performance instructions]
Part of Upstream Music Association fonds
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Pedersen, Stephen Alan
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Part of Ellen Ballon fonds
La Liberté, Alfred
Fonds consists of records created by Symphony Nova Scotia in the course of its regular business activities. The majority of the records were created during the process of concert-planning, including special concerts, annual concerts, tours, and concert series. These records include artist contracts, marketing and development documents, internal memos, and correspondence with artists and sponsors.
Records also consist of internal management records, including personnel records, office management files, and the files of the Board of Directors, Executive Director, and Chief Executive Officer. The financial administration of the Symphony is documented though budgets, statements, ledgers, and tickets sales data.
The fonds also contains concert programs and promotional material such as posters, advertisements, flyers, newsletters, and other publications. The final section of the fonds consists of audiovisual and graphic material. There are audio recordings of performances and interviews of Symphony personnel as well as video recordings of advertisements and performances. The graphic material includes promotional photographs and photographs of the orchestra.
Symphony Nova Scotia
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Tenor parts for "Necktie Party"and "Main St."
Part of Paul Cram fonds
The Arts and Letters Club Constitution : [choral score]
Part of John Daniel Logan fonds
Part of Upstream Music Association fonds
Bauer, Bob
Part of Paul Cram fonds
Part of Paul Cram fonds
Item is an annotated score of a work first performed by Upstream Orchestra in memory of Steve Lacy on May 18, 2013 at the International Festival de Musique Actuel, which commissioned the work, in Victoriaville, Quebec. The piece was played alongside "Convoy HFX" and "Witch Gong Gang II/10." The Upstream Orchestra included Jeff Reilly, conduction; bass clarinet, Tena Palmer; voice, Rick Waychesko; trumpet, Chris Mitchell; soprano sax/flute, Paul Tynan; trumpet, Kenny MacKay; alto sax, Danny Martin; trombone, Paul Cram; tenor sax/clarinet, Tom Walsh; trombone, Dawn Hatfield; baritone sax, flute, Geordie Haley; guitar, Scott McMillan; guitar, Tim Crofts; synthesizer, Steven Naylor; piano, Lukas Pearse; contrabass-electronics, David Burton; drums, Danny Parker/contrabass, Doug Cameron; drums; and Erin Donovan, percussion.
The top of the score pages are in standard notation and provide the music for different instruments. The bottom half of each page is in graphic notation with symbols noting improvisational cues and solos for each instrument. There also parts for B, Bb, Eb, bass, and drums. There are two pages of smaller visual notations. The score was composed for voice; 2 trumpets; 2 trombones; soprano sax/flute; alto sax; tenor sax/clarinet; baritone sax; piano; synthesizer; 2 guitars; 2 basses; 2 drum sets; and percussion.
The magic order : [score and parts]
Part of Paul Cram fonds