Arts and Culture

File contains a newspaper clipping of an article from The Chronicle Herald, which includes Budge Wilson's comments on the question "Which political party would foster cultural development in Nova Scotia?". The newspaper article also features responses from Charlotte Wilson-Hammond, Clam Harbour artist; Jamie Bradley, ACTRA Maritime national councilor and national vice-president of ACTRA; Josh MacDonald, playwright and screenwriter; Gordon Lamp, executive director of Music Nova Scotia; Walter Forsyth, Halifax-based filmmaker; and Mary Pat Mombourquette, managing director of Symphony Nova Scotia.

Citadel Hill Art Show

MS-4-250, Box 86, Folder 10
File

Part of Wamboldt-Waterfield Photographic Collection

Clowns & Circus Manager

MS-4-250, Box 52, Folder 68
File

Part of Wamboldt-Waterfield Photographic Collection

Contact sheet of photographs from the 1985 Arts and Culture Assembly

MS-3-46, Box 54, Folder 14, Item 2
Item
1985

Part of Centre for Art Tapes fonds

Item is a contact sheet with thirty-one b&w photographs from the 1985 Arts and Culture Assembly at the Dalhousie Arts Centre in Halifax, Nova Scotia.

Contact sheet of photographs from the 1985 Arts and Culture Assembly

MS-3-46, Box 54, Folder 14, Item 3
Item
1985

Part of Centre for Art Tapes fonds

Item is a contact sheet with thirty-six b&w photographs from the 1985 Arts and Culture Assembly at the Dalhousie Arts Centre in Halifax, Nova Scotia.

Contact sheet of photographs of Cathy Quinn's performance at the 1985 Arts and Culture Assembly

MS-3-46, Box 54, Folder 14, Item 1
Item
1985

Part of Centre for Art Tapes fonds

Item is a contact sheet with eighteen b&w photographs from the 1985 Arts and Culture Assembly at the Dalhousie Arts Centre in Halifax, Nova Scotia. Sixteen of the photographs show Cathy Quinn's performance during the event and two photographs show an unidentified person with a camera.

Correspondence between Henry Orenstein and Art Gallery of Nova Scotia regarding the sale of his art piece Self-portrait of a Fur Worker

MS-2-774, Box 1, Folder 23
File
1988 - 1989

Part of Joan and Henry Orenstein fonds

Correspondence between Henry Orenstein and Mount Saint Vincent University Art Gallery regarding the donation of his lithograph Fur Finisher as a Mate to the Needle Worker

MS-2-774, Box 1, Folder 24
File
1989

Part of Joan and Henry Orenstein fonds

Correspondence with Rose Chiasson and other material

MS-2-130, Box 6, Folder 1
File
1973

Part of Barbara Hinds fonds

File contains correspondence from Rose Chiasson about a Local Initiatives Program proposal for the Tantramar Amateur Artists' Guild, as well as sketches and copies of forms related to the project.

Craft Display

MS-4-250, Box 52, Folder 70
File

Part of Wamboldt-Waterfield Photographic Collection

Dutch Artist Can. Manpower Office

MS-4-250, Box 86, Folder 34
File
Feb. 1970

Part of Wamboldt-Waterfield Photographic Collection

Eve Theatre

MS-4-250, Box 82, Folder 7
File
16 May 1973

Part of Wamboldt-Waterfield Photographic Collection

Exhibition catalogue for Henry Orenstein and Robert Dietz' Pro Patria Mori at Dresden Galleries

MS-2-774, Box 1, Folder 9
File
[198-]

Part of Joan and Henry Orenstein fonds

File includes a transcript of Henry Orenstein's opening night talk.

Flyers and programs of theatre productions in which Joan Orenstein appeared

MS-2-774, SF Box 110, Folder 25
File
[197-?] - [199-?]

Part of Joan and Henry Orenstein fonds

File contains flyers and programs for "Revelations," "The Collected Works of Billy the Kid," and "Forever Yours, Marie-Lou" produced at Second Stage; "The Empire Builders" at Pier 1; "The Daughter-in-law" at Theatre New Brunswick; "The Devil's Disciple" at Neptune Theatre; and "The Satyricon" and "All the Queen's Men." File also contains a postcard of the Charlottetown Summer Festival.

Flyers for Gary Karr and Harmon Lewis' exhibition featuring drawings by Henry Orenstein

MS-2-774, Box 1, Folder 10
File
[ca. 1989]

Part of Joan and Henry Orenstein fonds

Forrestall, Tom - Paintings

MS-4-250, Box 82, Folder 51
File
30 Nov. 1973

Part of Wamboldt-Waterfield Photographic Collection

Garment Display at St. Mary's

MS-4-250, Box 86, Folder 45
File

Part of Wamboldt-Waterfield Photographic Collection

Halifax - Floats

MS-4-250, Box 86, Folder 63
File
1967

Part of Wamboldt-Waterfield Photographic Collection

Halifax Insurance Copy paintings

MS-4-250, Box 5, Folder 30
File
14 Oct. 1982 - 15 Oct. 1982

Part of Wamboldt-Waterfield Photographic Collection

Henry Orenstein's Artist in the Theatre exhibition brochure

MS-2-774, Box 1, Folder 5
File
1973

Part of Joan and Henry Orenstein fonds

Henry Orenstein's Sudbury industrial landscape mural project negatives

MS-2-774, Box 1, Folder 27
File
[194-?] - [199-?]

Part of Joan and Henry Orenstein fonds

Henry Orenstein's Sudbury industrial landscape mural project photographs

MS-2-774, Box 1, Folder 28
File
[194-?] - [199-?]

Part of Joan and Henry Orenstein fonds

File contains photographs used in the course of Henry Orenstein's creative process in the concept development of the "Sudbury Industrial Landscape". File also contains a photograph of the mural.

Henry Orenstein's Sudbury industrial landscape mural project sketches

MS-2-774, Box 1, Folder 34
File
[195-]

Part of Joan and Henry Orenstein fonds

File contains sketches produced by Henry Orenstein in the course of his creative process in the concept development of the Sudbury Industrial Landscape, a 1950s commission by the Mine, Mill and Smelter Workers of Sudbury for a mural on the local union hall.

Henry Orenstein's Sudbury industrial landscape mural project slides

MS-2-774, Box 1, Folder 29
File
[195-?] - [199-?]

Part of Joan and Henry Orenstein fonds

Henry Orenstein's The Talk of the Town exhibition brochure

MS-2-774, Box 1, Folder 6
File
1998 - 1999

Part of Joan and Henry Orenstein fonds

File also contains a Dalhousie University Archives separation sheet regarding a CD that was originally attached to the brochure.

Henry Orenstein's correspondence regarding the Sudbury industrial landscape mural project

MS-2-774, Box 1, Folder 26
File
[ca. 1954] - 1956

Part of Joan and Henry Orenstein fonds

File contains correspondence between Henry Orenstein and Bob Ward, Weir Reid, Mike Solski, and others.

Henry Orenstein's drawings

MS-2-774, Box 1, Folder 36
File
[194-?] - [199-?]

Part of Joan and Henry Orenstein fonds

File contains drawings—including one identified as "Jessie Dillard"—created with different mediums, including pencil, watercolour, oil, and pen & ink.

Henry Orenstein's list of works for the exhibit Growth of a Mural — Sudbury

MS-2-774, Box 1, Folder 31
File
1957

Part of Joan and Henry Orenstein fonds

Henry Orenstein's newspaper clippings regarding the Sudbury industrial landscape mural project

MS-2-774, Box 1, Folder 32
File
[195-]

Part of Joan and Henry Orenstein fonds

Henry Orenstein's professional resume

MS-2-774, Box 1, Folder 17
File
[194-?] - [199-?]

Part of Joan and Henry Orenstein fonds

Henry Orenstein's records

Series
[194-?] - [before 2011]

Part of Joan and Henry Orenstein fonds

Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.

Orenstein, Henry

Henry Orenstein's sketches

MS-2-774, Box 1, Folder 37
File
[196-] - [ca. 1987]

Part of Joan and Henry Orenstein fonds

File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.

Historic Feast