Subseries consists of 6 film reels and 5 VHS tapes relating to sheep. Topics cover show exhibitions, documentaries, course material, and tours between 1970-1996.
Subseries contains 135 photographs and 3 paintings. Some of these photographs have attached newspaper clippings, pamphlets, postcard, or article. Graphic materials depict sheep and lambs of various breeds in various farms, pastures, and exhibition events. Additionally, there are photographs of members of sheep related associations and businesses taken between 1940-2002.
Subseries contains records, correspondence, and publications related to the wool, predators, industry, transportation, etc., created to collected by the Sheep Producers' Association of Nova Scotia.
Subseries contains promotional materials that were used in variety of programs, events, and venues by the Sheep Producers' Association of Nova Scotia in 1983.
Subseries contains records relating to Sheep Producers' Association of Nova Scotia sheep fairs between 1973-1983. Formats include correspondence, brochures, flyers, sales records, and programs.
Subseries contains correspondence and reports created and collected by the Sheep Producers' Association of Nova Scotia secretaries Glen Ells, Martha H. Nettleton, Brewster Kneen, William Mathewson and others between 1958-1989.
Subseries consists of newsletters, books, and other textual record relating to sheep created by Canada's Sheep Council, or the Canada Sheep Marketing Council, between 1975-1987.
Subseries contains Canadian Sheep Breeders' Association records created between 1975-2002 relating to sheep breeding, which includes registries, newsletters, and miscellaneous materials.
Subseries contains records created by Purebred Sheep Breeders' Association between 1984-2002. They relate to sheep breeding, which includes sales, directories, and miscellaneous materials.
Subseries contains publications by miscellaneous departments of the Government of Canada relating to wildlife and sheep identification program published in 1973, 1977, and 2003.
Subseries contains 6 books that were published by miscellaneous departments of the Government of Nova Scotia relating to wildlife and sheep identification program between 1977-1990.
Subseries contains reports, publications, policies, correspondence, and records created between 1908-1999. They are related to sheep standard of living conditions, breeding, diseases, and the sheep industry in general, published by the Nova Scotia Department of Agriculture and Marketing.
Subseries contains Canadian Department of Agriculture publications including books, technical bulletins, annual reports, legislation, Canadex reports, and Agri-food papers published between 1878-1997 and related to sheep, including breeding, diseases, and the sheep and wool industry.
Subseries contains 12 publications by national agricultural departments outside of Canadian relating to the sheep industry published between 1918-1987.
Subseries contains 20 publications by agricultural departments of various Canadian provinces relating to the sheep industry published between 1972-2003.
Subseries contains yearbooks published by Dalhousie University students between 1927 and 1998. From 1929 until the 1990s, the yearbooks were largely printed under the title Pharos, a reference to the destroyed lighthouse in ancient Alexandria.
Subseries contains an incomplete run of Dalhousie University School of Physiotherapy yearbooks, including 1982, 1984-1988, 1991-1996, 2000-2004, 2007-2009, and 2011.
Subseries contains manuscripts and correspondence for Donna Morrissey's Pluck: A Memoir of a Newfoundland Childhood and the Raucous, Terrible, Amazing Journey to Becoming a Novelist, which was published in 2021 by Penguin/Random House Canada.
Subseries contains manuscripts, notes, correspondence and secondary research materials related to Rage the Night, a novel written by Donna Morrissey and published by Penguin Canada in 2023.
Subseries contains records created by the Nova Scotia Agricultural College, records about the NSAC, and records pertaining to agriculture in Nova Scotia. Included are documents on educational resources, correspondence, memos, newspapers, clippings of articles, newsletters, new building plans, speech notes, a bound copy of "The history of the NSAC", agricultural education plans in the province, and the 75th anniversary committee file.
Subseries contains yearbooks of the Dalhousie University School of Education: Spitballs and Chalkdust (1994); and Taking a Bite Out of Time (1995). The yearbook and program both ended in 1995.
Subseries contains records created and collected by Christopher Heide regarding his play Pogie, with music by Al Macdonald, which was published in New Canadian Drama: Volume 2 (Borealis, 1981). It was first performed as a cabaret production at a supper theatre called Stages at the Holiday Inn, Halifax, and featured Sharon Timmins as the female lead. The touring production featured Crystal Fralick. In both versions, the four actors played all additional roles, aided by hand puppets created by Tom Miller. Both productions were directed by Rosemary Gilbert.
Subseries contains records documenting the progression of the play My Place or Yours? written by Chris Heide for Mermaid Theatre for junior and senior high schools throughout Nova Scotia from October 22-December 7, 1990.
Subseries comprises records created or collected by Christopher Heide in the course of writing I Ain't Dead Yet, which premiered at Mermaid Theatre before being mounted in Edmonton, Lunenburg, Ottawa and London, Ontario.
Subseries contains records documenting the progression of the play "On the Lee Shore," which began life as "Plans for the Marriage" and then "The Family Album." The script was developed during Christopher Heide's writers-in-residence tenure at Tarragon Theatre, Toronto, with workshop performances on May 8 and 9, 1977 directed by Lewis Baumander and dramaturge Bena Shuster.
Subseries contains records created and collected by Christopher Heide related to his play Home at Last, which included working with war brides in Nova Scotia and teaching a workshop at Lancaster University.
Subseries contains records created and collected by Christopher Heide in his work with the Liverpool International Theatre Festival, for which he served as artistic director in 2006.
Subseries contains records created or collected by Christopher Heide in the course of writing No More Gasoline, a play that he started in 1980 and workshopped with the Dramatists' Co-op in 1982; it was the inaugural script for the New Play Workshop.
Subseries contains records created and collected by Christopher Heide in the course of writing Road Reviews, which was funded by Nova Scotia Department of Culture, Recreation and Fitness in cooperation with the Old Home Summer Commission, a 1982 revival of a festival incorporated by the province in 1920 to encourage tourism. The revue was directed by Don Allison and featured Nicola Lipman, Barrie Dunn, Gay Haliser and Robbie O'Neill, with musicians Sandy Moore and Nathan Currie.
Subseries contains records created and collected by Christopher Heide in the course of writing a play for Port Hawkesbury's centennial community performance project, which evolved into Under the Map Theatre group.
Subseries contains records created or collected by Christopher Heide in the course of writing Bring Back Don Messer!, which was produced by Mulgrave Road Co-Op Theatre and toured four provinces in three months.
Subseries contains records created or collected by Christopher Heide in the course of writing The Coady Co-Op Show, which was created, produced and performed by members of the Mulgrave Road Co-Operative Theatre Company.
Subseries contains records created or collected by Christopher Heide in the course of his writing the play "The Promised Land," which was produced by Mulgrave Theatre in 1988.
Subseries contains records created and collected by Christopher Heide pertaining to Mulgrave Theatre's Working Theatre Project, which used theatre structures and methodologies with an adult education approach to literacy upgrading.
Subseries contains letters and cards written to Alex Leighton from his mother, father and sister, as well as from uncles, aunts and cousins. There are also some copies of Alex Leighton's responses, including a file of letters between him and Dorothea (Dot).