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Archival Description
Canada Subseries
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Advocacy for transgender Nova Scotians

Subseries contains materials related to NSRAP's advocacy efforts for members of the transgender community in Nova Scotia, including lobbying and research related to gender confirming treatments and procedures, and planning and promotional materials for Transgender Day of Remembrance events. Series also includes workshop materials, educational resources, clippings, and correspondence.

AIDS Coalition of Nova Scotia [ACNS]

Series contains materials relating to the formation and operations of the AIDS Coalition of Nova Scotia [ACNS], a non-profit advocacy organization for persons living with HIV/AIDS based in Halifax. ACNS was formed in 1996 via the merger of two pre-existing organizations, the Nova Scotia Persons With AIDS Coalition and AIDS Nova Scotia, and still operates today. Materials in subseries include administrative records such as meeting notices, minutes, and agendas; memos and correspondence; planning materials for ACNS events; proposals, research materials, and reference materials; and notes.

AIDS Coalition of Nova Scotia

AIDS Nova Scotia [ANS] / Metro Area Committee on AIDS [MACAIDS]

Series contains administrative records of AIDS Nova Scotia, established in 1984 as the Metro Area Committee on AIDS [MACAIDS] and changing its name to AIDS Nova Scotia [ANS] in 1991. ANS was a non-profit advocacy organization for persons living with HIV/AIDS, incorporated in 1986. AIDS Nova Scotia merged with the Nova Scotia Persons With AIDS Coalition in 1995 to form the AIDS Coalition of Nova Scotia. Materials in series include meeting notices, minutes, and agendas; memos, correspondence, and press releases; strategic planning materials; budgets and financial statements; internal and external reports; policies, guidelines, and bylaws; and notes, among others.

AIDS Nova Scotia

AIDS-Link records

Series contains materials related to AIDS-LINK, a volunteer-based project operated by CARAS to institute interfaith pastoral services for persons living with HIV/AIDS. The project was launched in 1996 and ceased operations in the early 2000s.

Brock University : The Rover

Subseries contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place February 14-16, 2002 at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.

Campus site plans

Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design and layout of the Studley and Carleton Campuses. Records include topographical maps, layouts

Canadian Council on International Law

Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the Canadian Council on International Law. Subseries contains conference lists, conference proceedings, bulletins, correspondence, meeting minutes, administrative records, and other materials.

Correspondence by subject

Subseries contains Ronald St. John Macdonald's correspondence regarding a wide range of subjects, including his visits to China, his research on the teaching of international law at Canadian universities and other topics, the development of various of his books, Dalhousie University, Dalhousie Law School Journal, Dalhousie Law School centenary, the Hague, the United Nations, the Canadian Council on International Law, and many other matters. Subseries contains correspondence between Ronald St. John Macdonald and different individuals, including Paul Martin, Quing-nan Meng, Edgar Gold, Paul Fauteux, Dominique Alheritiere, Tom Hick, R. C. Strother, W.A. MacKay, Wang Fusun, J.D. Kingham, Patti Allen, John Vandermeulen, Rene Jean Dupuy, M.C.W. Pinto, Jacqueline Dauchy, Leo Nevas, Avard Bishop, Charles B. Bourne, John Willis, and many others.

Course related

This sub-series contains hand written notes by Dr. Melville Cumming regarding the courses he taught at the Nova Scotia Agricultural College.

Dalhousie Arts Building

Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design, construction and renovations/additions to an arts building at Dalhousie, which the administration called the Law (Temporarily Arts) Building. It was occupied by arts faculty until 1952, when it did briefly house the law school; in 1967 it became the Faculty Club, which is now known as the University Club. The third building on Studley Campus, it was a part of the original campus plan drawn up by Toronto architect Frank Darling in collaboration with Halifax-based architect Andrew R. Cobb and Dalhousie's governors. The subseries also includes drawings for a later building planned as an Arts Building, which was never constructed.

Dalhousie Theatre : Cloud Nine

File contains 14 costume designs for Dalhousie Theatre's 1989 production of Cloud Nine. The designs are pencil sketches on heavyweight paper. The sketches have been torn from a spiral bound sketchbook and some of the torn edges have not been cut off. The file also contains nine black and white photocopies of some of the sketches.

Dalhousie Theatre : Grease

Files contains six set designs and 27 costume designs for Dalhousie Theatre's 1984 production of Grease. Photocopies of several of the costume designs are included and three of the costume designs are only present in photocopy form. Some of the costume designs have fabric swatches attached. Four envelopes of fabric swatches are also included.

Dalhousie Theatre : Happy End

File contains 17 costume designs for Dalhousie Theatre's 1989 production of Happy End. The sketches have all been torn into irregular shapes, mounted on corrugated cardboard, and spray painted with a brick pattern.

Dalhousie Theatre : Love for Love

File contains fifteen watercolour sketches of costume designs for Dalhousie Theatre's 1989 production of Love for Love. Each sketch shows one character wearing their costume. The sketches are all cut out and mounted on dark orange matboards. Most of the sketches have a clear plastic sheet taped over them for protection.

Dalhousie Theatre : Mandragola

File contains nine costume designs for Dalhousie Theatre's production of Mandragola. The sketches show many mask designs for characters from the production as well as some full-body costume designs.

Dalhousie Theatre : Mary Stuart

File contains three pencil sketches of costume designs for Dalhousie Theatre's production of Mary Stuart. The sketches have been torn from a spiral bound notebook.

Dalhousie Theatre : Moliere

File contains sixteen watercolour and gouache sketches of costume designs for Dalhousie Theatre's production of Moliere. A collection of handwritten notes about the costumes is also included.

Dalhousie Theatre : Rose

File contains two costume designs for Dalhousie Theatre's 1984 production of Rose. The designs are drawn in pencil on grey card.

Dalhousie Theatre : Shakespeare's Women

File contains 26 costume designs from Dalhousie Theatre's 1990 production of Shakespeare's Women. Six of them are watercolour sketches and the rest are pencil sketches. The file also contains two photocopies of one of the sketches and three pages of notes about the sketches. The first 18 sketches were drawn on the same pad of paper and are stored between the covers of that pad of paper. There are some drawings on the cover of the pad of paper. Some of the sketches have fabric swatches attached.

Dalhousie Theatre : Spring Awakening

File contains four drawings and six photocopies of costume designs for Dalhousie Theatre's 1977 production of Spring Awakening. Several of the items have fabric swatches attached.

Dalhousie Theatre : St. Carman of the Main

File contains 21 costume designs for Dalhousie Theatre's 1990 production of St. Carman of the Main. The title of the play may actually be spelled "St. Carmen of the Main." Ten of the sketches are cut out and mounted on corrugated cardboard, with collages of newspaper articles in the background. The other eleven sketches are pencil and coloured pencil sketches on heavyweight paper.
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