Halifax (N.S.)

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44.647401, -63.590651 Map of Halifax (N.S.)

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  • Coordinates derived from http://www4.rncan.gc.ca/search-place-names/search?lang=en

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Halifax (N.S.)

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Halifax (N.S.)

174 Archival Description results for Halifax (N.S.)

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Scores catalogued by the Canadian Music Centre (CMC)

Subseries contains 34 scores catalogued by the Canadian Music Centre ca. 2016. The scores in this subseries are listed in the order of the RSN (record series number) established by the CMC and descriptions contain corresponding call numbers. They were re-foldered along with the CNC envelopes in which they were maintained.

High ground — mvmt. 5

Item is Paul Cram's score for reeds 1, 2 & 3, trumpet, trombone, cello, guitar, keyboard, bass, and drums.

Détente : music from no man's land / Paul Cram

File contains scores for Paul Cram's Détente: Music from No Man's Land, including two copies of the part for voices (male and female) and one each of soprano sax, baritone sax, and percussion.

Hammer & tongs

Item is an undated handwritten score for violin, alto, tenor, bass, trumpet, trombone, guitar, bass and drums.

Into the ice / by Paul Cram

Item is an annotated composer's score of Paul Cram's Into the Ice for oboe, clarinet, bassoon, trumpet, soprano sax/flute, tenor sax/clarinet, string orchestra — 86442, marimba, timpani, guitar, piano, electric bass, drums.

Into the ice / Paul Cram

Item is an annotated composer's score of Paul Cram's Into the Ice for oboe, clarinet, bassoon, trumpet, flute, clarinet, violin 1 & 2, viola, cello, bass, timpani, guitar, piano, bass, drums.

Solar system / Paul Cram

Item is Paul Cram's facsimile score for saxophone quartet and tape, performed June 1984. The first page comprises program notes describing the composition as a variation on the Icarus myth; the second page is a schemata for between movements.

Hall of mirrors / Paul Cram

Item is a revised concert score for Paul Cram's Hall of Mirrors for harp/synth, koto, shakuhachi, soprano sax, tenor sax, clarinet, cello, guitar, synth/piano, electric bass, and drums.

Hall of mirrors / Paul Cram

Item is a concert score for Paul Cram's Hall of Mirrors for koto, shakuhachi, soprano sax, tenor sax, bass clarinet, synthesizer/Irish harp, synthesizer/piano, and percussion. Koto tuning: C F G C# D E G# A B D# F# A# C.

Tyranny of interest / Paul Cram

Item is a composer's score of Paul Cram's The Tyranny of Interest—with eleven movements and a key to formings—for voice, soprano sax, alto sax 1 & 2, tenor sax, baritone sax, trumpet 1 & 2, trombone 1, 2 & 3, piano, guitar, cello. bass 1 & 2, and drums.

Irons in the fire / by Paul Cram

Item is an annotated composer's score of Paul Cram's Irons in the Fire for flute 1 & 2, oboe 1 & 2, clarinet 1 & 2, bassoon 1 & 2, trumpet 1 & 2, french horn, french horn, alto sax, tenor sax, bass clarinet, solo cello, accordion, piano, guitar, electric bass, drums, marimba, timpani, violin 1 & 2, viola, cello, contrabass.

Convoy Hfx / P. Cram

Item is a composer's score printed on one page divided into 12 numbered sections or movements that combine printed standard music notation and handwritten formation.

Beyond Benghazi / Paul Cram

Item is a set of two master copies of the composer's score of Beyond Benghazi, one printed single-sided and the other printed double-sided.

Beyond Benghazi

Item is the master of the score and parts for Beyond Benhazi, including: oboe, bassoon, piano, violin 1 & 2, viola, cello, bass, clarinet Bb, tenor Bb, trumpet, soprano/flute, timpani/marimba/vibes, harp/synth, guitar and drums.

Beyond Benghazi II

Item is conductor's score removed from its binding. The first page is handwritten (facsimile), indicating instrumentation with graphic notation.

Fortress America / Paul Cram

Item is an annotated composer's score of Paul Cram's Fortress America for flute, clarinet, alto, baritone, trumpet 1 & 2, trombone 1 & 2, violin 1 & 2, viola, cello, guitar, piano, bass and drums.

Xanadu calling / Paul Cram

Item is Paul Cram's score for trumpet, alto sax/flute, tenor sax/clarinet, bass clarinet, guitar, synthesizer/harp, piano/synthesizer, drums, and soloist.

Trouble in paradise / Paul Cram

  • MS-5-21, Box 15, Folder 13, Item 1
  • Item
  • [ca. 2002?]

    • Part of Paul Cram fonds

Item is Paul Cram's score for clarinet, trumpet, alto, tenor, trombone, baritone, bassoon, cello, mallets, guitar, piano, bass and drums.

Trouble in paradise / by Paul Cram

  • MS-5-21, Box 15, Folder 13, Item 2
  • Item
  • [ca. 2002?]

    • Part of Paul Cram fonds

Item is Paul Cram's score in three parts for reeds 1, 2 & 3, trumpet, trombone, cello, guitar, keyboards, bass and drums.

Urban desperado / Paul Cram

Item is Paul Cram's score for reeds 1, 2 & 3, trumpet, trombone, cello, guitar, piano, bass, drums.

Kafka's chair / Paul Cram

Item is Paul Cram's undated score for flute, clarinet, bass clarinet, trumpet, trombone, cello, guitar, piano and bass.

Out of the ashes / Paul Cram

Item is Paul Cram's concert score for reed 1/flute & soprano sax, red 2/clarinet & tenor sax, reed 3/bass clarinet & clarinet, trumpet, synth 1, synth 2 & piano, drums. The cover page includes the [part?] titles: deep, island, trench, atlantic, north, dance, temple. burning, water, eruption, millenium, sinking, ruins, cleansing, plague dancing, party to the end, cool fire, cold heat, ritual mountains to cinders and ash.

Nature of the beast / Paul Cram

Item is Paul Cram's score in 7 parts for clarinet, trumpet, alto, tenor, trombone, baritone, bassoon, cello, timpani, guitar, piano, bass and drums.

The naked ear / Paul Cram

Item is Paul Cram's score for reeds 1 & 2, wx7, trumpet, guitar, harp, synth, drumscom (?), comp 1, 2 & 3.

A life of crime / Paul Cram

Item is Paul Cram's undated score for reeds 1, 2 & 3, guitar, synthesizer, piano, cello, bass and drums.

Immortal coil / Paul Cram

  • MS-5-21, Box 15, Folder 2, Item 2
  • Item
  • [ca. 1990]

    • Part of Paul Cram fonds

Item is Paul Cram's undated score for reeds 1, 2 & 3, trumpet, trombone, cello, guitar, keyboard, bass and drums.

Immortal coil / by Paul Cram

  • MS-4-21, Box 15, Folder 2, Item 1
  • Item
  • [1990 or 1992]

    • Part of Paul Cram fonds

Item is Paul Cram's score for trumpet, clarinet, tenor sax, alto sax, harp/synthesizer, guitar, synthesizer and drums. The handwritten title page has copyright as 1990, but the first page of the score indicates copyright 1992.

Immortal coil / Paul Cram

Item is Paul Cram's concert score for clarinet, trumpet, harp, tenor, tape 1, 2, & 3, and drums. The score is marked as #1.

Corridors of power / Paul Cram

Item is an undated composer's score of Paul Cram's Corridors of Power for voice, flute, oboe, clarinet, bassoon, trumpet, alto sax, tenor sax, baritone, bass clarinet, accordion, piano, guitar, electric bass, drums, marimba, timpani, violin 1 & 2, viola, cello and contrabass.

The point of sympathy / by Paul Cram

Item is the master of a conductor's score for Paul Cram's The Point of Sympathy for Chamber Orchestra with Improvisor, which includes an instrumentation list on the title page: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 bassoons, 2 trumpets in Bb, 2 french horns, violin1 (8), violin 2 (6), viola (4), cello (4), contrabass (2), marimba, timpani, tenor saxophone, bass clarinet, soprano saxophone, electric cello, piano, accordion, guitar, electric bass, drums.

Archeology / Paul Cram

Item is a composer's score of Archeology for violin, bass clarinet, and piano.

Archeology / Paul Cram

Item is a composer's score of Archeology for violin, bass clarinet, and piano.

Beyond Benghazi 93

Item is a conductor's score for Beyond Benghazi, copyright in 1987 and revised in 1993. The score, which is annotated, is for oboe, sop /flute, clarinet, trumpet, ten/clar, bassoon, violins 1 and 2, viola, cello, percuss/timpani, Sandy, guitar, piano, bass and drums.

Beyond Benghazi / by Paul Cram

Item is a conductor's score for Beyond Benghazi, copyright 1996. The title page includes an instrumentation list: flute, piccolo, 2 oboes, clarinet, bass clarinet, soprano saxophone, tenor saxophone, 2 trumpets, 2 french horns, violins 1 & 2, violas, cellos, string basses, timpani, percussion (vibes and marimba), synthesizer, guitar, piano, electric bass , drums.

Ronald St. John Macdonald fonds

  • MS-2-615
  • Fonds
  • 1823 - 2006
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.

Macdonald, Ronald St. John, 1928-2006

John Daniel Logan fonds

  • MS-5-1
  • Fonds
  • 1850 - 1932
Fonds contains music manuscripts and published scores, photographs, and autograph letters written by well-known composers such as Jacques Offenbach, Giuseppe Verdi, and John Philip Sousa. Through his work as a music critic and journalist in Toronto and Halifax, Logan communicated with many prominent Canadian musicians in the early twentieth century. Many of the scores, photographs, and autographs included in this collection are a result of his contributions to music criticism. The music and theatre programs are frequently annotated with comments for reviews, and most of his correspondence with musicians and actors relates to his work as a music and theatre critic. Some of the scores were given to Logan as gifts from performers while others were sent to him for review or publication in newspapers. There are several manuscripts of songs by Edith Jessie Archibald, a prominent social activist and suffragist in Halifax. Letters sent to Logan also concern his poetic contributions, and there is a manuscript draft of one of his books, Preludes: Sonnets and other Verses (1906).

Logan, John Daniel

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